
The description for the psychedelic breathwork session I attended read:
PSYCHEDELIC BREATH® combines elements of ancient yogic breathwork practices and neuroscience. We use this developed breathing technique to enlighten the subconscious mind, using nothing more than the air around you. Following the guidance of the practice, you will naturally reach an altered state of consciousness! (without any psychedelics).
The possible effects of the session were as follows:
- Release mental, emotional, and energetic blockages
- Support your nervous system
- Tap into deeper states of meditation
- Explore your inner calling
- Experience timelessness
- Reconnect with your deep Inner-Wisdom
Unlike a typical holotropic breathwork session, the group session I attended lasted only 90 minutes. I got in touch with the facilitator before booking and inquired whether Psychedelic Breath was the same or similar to holotropic breathwork. I was told:
“Yes, PSYCHEDELIC BREATH® is a breathing technique that is very similar to the Holotropic Breathwork technique. You reach an altered state of consciousness, and it gives you plenty of insights about your life, your emotions, things that are happening or happened in the past. It is a great way to release traumas or unlock blockers regarding creativity projects or anything in life.
I combine PB and Nature because I believe that we get more oxygenated as we are in nature. I also believe in the healing power of being in nature.”
While I was curious and open-minded about what was possible was breathing techniques, I was still somewhat sceptical about whether I could actually achieve a profound shift in consciousness through rapid deep breathing. I also wondered whether I could fully relax and let go, given that I would be surrounded by strangers and because the session took place in a public setting (it was held in a somewhat secluded wooded part of Clapham Common, but passersby were still nearby and walking past us).
However, I didn’t let scepticism or cynicism get in the way of the session itself. With my eyes closed, I kept up a consistent pace of rapid deep breathing when we were instructed to do so, and I felt the rhythmic electronic music was well-suited to this. I was breathing as rapidly and deeply as possible. After a few phases of hyperventilation, during the periods of slower breathing, I could feel the effects. And subsequent periods of rapid breathing led to even more intense effects.
Eventually, I found I had slipped into an ecstatic trance state: an experience of mental and physical euphoria. My body was tingling, twitching, and trembling. I was lying on my back with my knees bent; my legs, feet, arms, and hands were shaking, and I was swaying my legs from side to side. The physical sensations were surprisingly intense (but in a pleasurable way, and not at all overwhelming or concerning). The physical and mental euphoria was all-consuming; my thoughts were not anywhere else, and the experience felt free of the ego normally providing commentary in the background. I let my body move naturally in this ecstatic state, without being self-conscious about how I might be perceived by passersby (this surprised me too).
This state of consciousness was very reminiscent of those induced by psychedelics: it featured deeply positive emotional states like bliss, spontaneous shaking, a dampening of the ego, and a general sense of being ‘healed’. There was an undeniable feeling of giving way to – and being lost in – a state of ecstasy. Like ecstasy that may be occasioned by psychedelics, sex, or religious practices, there seemed to be a loss of self-control, cessation of voluntary bodily movement, loss of awareness of surroundings, loss of the ordinary sense of self, and cessation of the intellect. The intense, euphoric nature of the experience also carried a feeling of ‘sacredness’ and extreme beauty.
It was a deeply pleasurable and absorbing experience: undoubtedly non-ordinary and heightened, yet something also felt very needed about it. It was like a re-entry into a state of consciousness that was profoundly human and healing, offering a welcome break from self-consciousness and negativity.
It felt therapeutic on a deeply somatic and emotional level.
Yet while the somatic and emotional elements matched those of psychedelics, I did not find psychedelic breathwork to alter visual or auditory perception in any significant way. At the end of the session, I did notice, nonetheless, that I was left in a calm afterglow state. When I opened my eyes and looked up at the trees above me, I noticed more visual richness and absorption in the details of the present moment. But I wouldn’t call this similar to what altered visual perception is like after psychedelic intake. I also didn’t experience the closed eye visuals often associated with psychedelics. (Some psychedelic breathwork participants do experience heightened imagination, visual changes, and visions.) Moreover, I didn’t personally experience any profound insights or explorations of my past, although these effects can be common.
I was mainly pleasantly surprised by how intense the experience was and felt grateful I was able to access such a state of mind without the use of drugs. Also, while the whole session was only 90 minutes (so less time than holotropic breathwork), it was still enough time to enter an altered state of consciousness and settle back into everyday life. I left the session feeling serene and positive. In addition, psychedelic breathwork seemed like a useful way to integrate psychedelic experiences: I could see it was a reminder of a more joyful mode of being that is possible.
One may find a corollary of these ecstatic experiences in the cult of Dionysus, a religious cult that existed in ancient Greece and Rome. The followers of this cult (who were known as the Maenads, or Bacchantes) would enter a state of intoxication and joyful delirium by performing rituals in honour of Dionysus, the ancient Greek god of wine, fertility, and madness. The Dionysian Mysteries – which consisted of public rites and secret rites of initiation – sometimes involved the use of intoxicants and other trance-inducing techniques (like dance and music). The goal was to remove inhibitions and social constraints, allowing the individual to return to a natural state of being. Indeed, ecstatic states often carry this feeling of liberation and release.
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Breathing is my favourite thing to do in life in general 🙂